Saturday, March 14 at 8:00 PM
Pico Union Project
1153 Valencia St, Los Angeles, CA 90015

Tuesday, March 17 at 8:00 PM
First Unitarian Brooklyn
Pierrepont St, Brooklyn, NY 11201

The concerts are seated and capacity is limited.

“Horribly satisfying!” — UNCUT

“An ambitious work with an almost apocalyptic flavor, touching on the most important matters.” —NewMusic

“Music that mixes influences such as Prokofiev, Gregorian chants, Steve Reich or even Michael Mann.” — Vice

This special configuration expands the album into a spatial composition shaped by architectural resonance, sustained harmonic tension, and long-form structures; the performance features violin, piano, synthesizers and live electronics, with Piotr Wesołowski on pipe organ, where sustained organ harmonics unfold against piano resonance and analog synthesis to create slow-moving forms that feel monumental rather than decorative—this is not ambient as background but contemporary composition performed at full depth; over the past decade Stefan Wesołowski has established himself as one of the strongest voices in the new European post-classical generation, his work standing in dialogue with the lineage of Ryuichi Sakamoto, Jóhann Jóhannsson and Krzysztof Penderecki and extending that tradition into darker, more austere and texturally focused territory; his compositions have been performed by the National Philharmonic in Warsaw, AUKSO Orchestra, Szczecin Philharmonic Orchestra and Orquesta Sinfónica de Entre Ríos in Argentina, and he has also composed for cinema including the feature film Wolf (Focus Features) starring Lily-Rose Depp and George MacKay, the BAFTA-nominated documentary Listen to Me Marlon (Universal) and the New York Times-acclaimed series Eastern Gate (HBO Max).