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Polish artist Radek Husak at Woolwich Contemporary Print Fair

See the works of Radek Husak who was selected by industry experts from over 6000 applications to showcase alongside celebrated names and specialist galleries in the 'Curated Hang' section of the Woolwich Print Fair.

21-24th November, 12:00-18:00

Exclusive Preview – Wednesday 20 November 6-9pm

The leading international art fair for contemporary print, this year’s Woolwich Art Fair will feature an artist from Poland, Radek Husak, who has been selected by industry experts from over 6000 applications to showcase alongside celebrated names and specialist galleries in the unique ‘Curated Hang’ section of the Fair.

Husak will be showing original artworks at the magnificent former industrial space on London’s historic Royal Arsenal, 21-24 November 2024 and online through until 01 December for The Online | Edition

Find out more about the Fair & Get Tickets here:

| Art That Leaves An Imprint (woolwichprintfair.com)

About Radek Husak

Rad Husak, a contemporary process-driven mixed media artist, was born in Poland in 1984. Based in London and with a Master’s degree from the Royal College of Art, his practice is firmly situated in the expanded field of print. Through extensive research and experimentation, Husak has developed his own process – defining the technique of pigment transfer combined with paint and hand-drawn elements on sandblasted aluminium, paper and canvas. His innovative approach and use of everyday materials enable him to continuously develop his technique.

By impressing images onto a variety of media, his work implies movement while referencing the trace itself. This new and dynamic approach to printmaking re-contextualises these by employing the glitch, digitally altering and manipulating the representation in the process.

In his work, Husak is attempting to bring order into a world that feels chaotic, beauty where there is ugliness. Taking humble aluminium, he transforms it into something which sparkles akin to stardust. Blasting through the outer layers of the metal, he reveals the reflective inner – heightening what was utilitarian and creating a sensation of something which is greater than itself. Husak is scratching at the divine, creating a moment of wonder.

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