ECHO is the name of a unique project that will be part of the PHOTO IS:RAEL international photo exhibition that will be held in Tel Aviv on 9-21 of November 2020.
ECHO is an award-winning project and photography book ECHO by the couple Maksymilian and Magdalena Rigamonti.
The pair Maksymilian and Magdalena Rigamonti went on several trips to a place that no longer exists, in an attempt to document the abandoned historical area of Volhynia,
present day Ukraine, where life was full of villages and towns inhabited by a mixed population until the massacres of 1943.
This unique body of work incorporates an award-winning book that poetically captures the elusive echo of the past and focuses on the void.
The book won the Best Book Award for 2018 in the Grand Press Photo competition, the POY competition and special commendation from the IPA.
For the first time, the book will be uniquely adapted for outdoor exhibitions by Maya Anner, the chief curator of the International Photography Festival.
The pair of creators will hold an online event where they will talk about the work process, the book and the transition to the exhibition
as part of the Festival’s online program.
In collaboration with the Adam Mickiewicz Institute.
“I saw a void. Complete emptiness. Where there used to be a village, there are fields now, where there used to be another village, there is a forest planted seventy years ago. No traces, hardly any traces. Only an echo remained in Volyn. Everything else is gone. Houses, schools, churches, whole villages. 1,200 villages. From 60 to 100 thousand people are gone. In the summer of 1943. People murdered their neighbors.
“I stand in the middle of a village that no longer exists. Three kilometers away from the Polish-Ukrainian border. A different world. Frozen. I close my eyes. I try to imagine the things that disappeared. The life that used to be here. I walk across the field in the footsteps of those who were led to the slaughter. How to talk about it, how to photograph it, where to look for anchor points? I came to Volyn, Ukraine, for the first time in November 2013. I realized that I was walking around a vast cemetery, the places where the bodies of the murdered were buried randomly. It was depressing, but it also forced to act, to do something to revive the story of the Volyn Massacre, to try to recount it. I was looking for a language of this story that would not be hermetic but understandable everywhere because after all there are many places in the world where people murder their own neighbors. The story repeats itself.
“I chose twelve villages that disappeared from the face of the earth. That is only one percent of all the Volyn villages that were wiped out. I presented them on twelve pages of the Echo book. Each page unfolds like a map. It is a photographic map of that real place with given coordinates on the one hand, and a universal map to our sensitivity and awareness on the other.
“The photographs contain all shades of gray, there is no black and white in them, as there are no such colors in history. They are wrapped in gold. Gold as found in the frames of church pictures or in the tombstone letters. The rough cover is like the dark, fertile Volyn soil. Echo is a tombstone, a monument, a warning. This is a story that I have been carrying inside of me for seven years now.”
by Maksymilian Rigamonti
About the book the exhibition is based on
Language learning through culture 🗓
Lecture about bilingualism and Polish language learning
