15.11.2019 - 20.12.2019 Events, Visual arts 74a Newman StreetLondon W1T 3DB

Marcin Dudek: Akumulator 🗺

Exhibition in the Edel Assanti Gallery

Over the past five years, Dudek has explored the materials, messages and political contexts of the stadium in an ongoing investigation of group behaviour and crowd control. The artist’s preoccupation with football hooliganism has autobiographical roots, retracing Dudek’s steps as a teenage member of Cracovia football fan club. In 2013, Dudek published Akumulatory (translation: “Battery”), an artist book collating snapshots of underground DIY gyms in Poland, which Dudek sourced from online forums where images of these adapted training facilities are shared. The actual gyms are created in squatted residential spaces, with equipment made from whatevermaterials are available: steel, wood, concrete, bricks.

Akumulator, the artist’s fourth exhibition with Edel Assanti, sees Dudek construct his own immersive DIY gym. Dudek’s installation is made using rudimentary materials that convey scarcity, utility and urgency, combined with adapted personal belongings. A tense atmosphere of solitary preparation and self-transformation pervades in this stripped down training facility, where bodies, ideologies and cultures take shape, ready for confrontation above ground on the streets.

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Kreative Talk with Masaya Inaba 🗓

Artificial Kreativity presents Kreative Talks with Masaya Inaba. Kreative Talks are the stories behind the creatives shaping the world.
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Wojtek Mazolewski presents his Solo album live in the

On October 21, Mazolewski will perform at London’s Rough Trade East, with a signing to follow. He will continue his UK tour with further dates in Birmingham and Leicester in November.
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This landmark of Polish cinema is based on the infamous ‘demonic possession’ of a group of nuns in Loudun, France in 1634, which led to a priest being burnt at the stake. These scandalous events also inspired Aldous Huxley’s 1952 novel The Devils of Loudon, and Ken Russell’s notorious 1971 film The Devils.
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